Classed by chronological order from Newest to Oldest. Optimized for High speed internet access. Sorry for 56K dial-up modems users.....
Encoded with Ogg Vorbis (.ogg) codec because it's free, open source, no large company to pay to use it, with fine quality (as poor as MP3 can be...) and plyable by any windows MP3 player such as Winamp or even Windows Media Player. So my I'm now a converted devote. Please stop using industry copyrighted MP3 (we are all paying it somehow) and..... Enjoy !
to the Bones
The magic K2500 comes in as a great and powerful drum box / sampler combination followed by a TeeBee MkIII bass line backed up by the same bass line going thru the Sherman filter bank band pass filters and getting wild. The additional kick sub-bass is generated by the MC202 at high reso settings and closed envelope. All the small blips heard come from the Pulse+ at high reso random settings. Where did the sample come from ? The song's name should help you out and all submission are welcome...
Reso bass Matrix 6R heavily flanged with a deep bass kick originating from my Glaucosaurus. The basic drum box and cricket sound comes out of the K2500 while the backup sub bass kick comes from the 202. The wacky goaw-goaw comes from the TeeBee MkIII and the high whining sound and and final lead line come from the Nord Modular. The reso grinding originates from the Pulse+ and is quite discrete. Quite a complexe song with a blend of many different tunes and overtones.
The cutting intro comes out of
the Matrix 1000 with de basic drum
sound coming out of the K2500. The main
scratching sound is nothing else than the TeeBee
MkIII ring modulator heavily shaped by the Sherman
filters.... The main bass kick is nothing else than my great MC202
with different decay settings (Amazing !) and the hatz are through the TTFilter
for max brightness. Some kind of bass and drum experience with no idea in
A K2500R bass heavily distorted by the new old Redson tape reverb starts it all up followed by Pulse Plus metallic clang and a Matrix 6R hypnotic pattern. A slight TeeBee bass backup has been added with a heavily flanged distorted pad that fills it all up that comes out of the MC202 passed thru the Sherman Filter. The MC202 Comes in next clean before the Sherman Filter opens and screams into the mix. The sample was taken from a french TV commercial mauled by the K2500R. Quite a noisy track but really hypnotic.
|Let's Go Serious...
( Summer 1998 )
Deep Juno followed by a multilayer phased goaishh Matrix-1000 and a TeeBee saw bassline. Comes in some Pulse reso bleeps followed by TTFilter distorted self oscillating MC202. This is actually my first mix on the O1V.
beats followed by a fat Juno PW square pad. Comes in a
bassy 202 backed up by a TeeBee
Ring mod tune. All two with loads of filter sweeps before ending with the Matrix tune two octaves higher.
( Late 1997 - Early 1998 )
The intro bird sound comes out of the Flange Pedal looped on itself to create feedback. Comes in a high lead Bassstation with filter sweeps with an acid saw originating from the TeeBee. This is actually my first mix on the Promix01 with FX and automation.
|Rain from Heaven
( Summer 1997 )
More hard trance with the only tune played with the Pulse powerful bass spiced up with the built in arpeggiator.
|No Filter Please...
|Acid Thudd Gun